Moxion is all about
The Fabric of Filmmaking.

We set out to build a dailies service that would lead the industry, excite content makers and producers - and make the competition weep. Job done.

On a mission.
To help you make better movies
and television.

Our beautiful platform is focused on helping you weave all the threads of filmmaking together, simply, seamlessly and securely.

Moxion was created in 2015 by founders experienced in film and TV. We were built and designed from the ground up for the challenging New Zealand conditions, and today are based in Los Angeles with a team across the world, ensuring our customers benefit from 24/7 support, no matter where they are producing content.

Our robust dailies and revolutionary Moxion Immediates platform has been put to the test by some of the biggest names in filmmaking, in some of the most complex and challenging productions, across the globe.

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Who we are.
Built by people who love film.

Headquartered in Vine Street, Los Angeles, with offices in Auckland, New Zealand, the Moxion team covers the globe and our software makes working anywhere a pleasure.

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Hugh Calveley

Hugh Calveley

CEO, Co-Founder

Hugh is obsessed with how technology can help the filmmaking process.

He’s been driving innovation in the entertainment industry since co-founding Liquid Edge (NZ Hi-tech Start Up Of The Year) in the early noughties, followed by three more successful and innovative business start-ups: The Rebel Fleet, Rush Hour and Moxion.

Michael Lonsdale

Michael Lonsdale

Chief Design Officer, Co-Founder

With a fine arts and moving image background, Michael has a deep passion for film, design and technology - and how they converge.

His industry knowledge, experience and design thinking have resulted in Moxion delivering both a productivity step change and an elegant, intuitive world-class design that belies the depth of its underlying sophistication.

Phil Ashcroft

Phil Ashcroft

President, North America

Phil is passionate about helping companies unlock the new dimensions of possibility created by Moxion. He has a background in television for productions such as Top Gear and has worked at the cutting edge of entertainment and technology, including time spent at Participant Media.

He has worked in the VR entertainment space, consulted and lectured. He currently also serves on the board for BAFTA Los Angeles.

Nathan Smith

Nathan Smith

Chief Technology Officer

Nathan has deep experience as a lead architect and developer for tech companies (including NZX-listed EROAD) and projects from applications to online games (including Outsmart Games, an online games developer at international scale).

He now leads the Moxion Engineering team to deliver and refine our highly secure, robust platform optimised for continuous release using world class methods and tools.

Rebecca Parry

Rebecca Parry

Vice-President, Customer Engagement

Rebecca loves being a part of a company that is at the forefront of disrupting an industry ripe for change. She comes from a business development background working mainly in the creative sector and in software development.

She works closely with customers to help them realize their vision using Moxion technology to support creativity and productivity. Rebecca is based in our Los Angeles office, working with our US-based customers.

Nigel Parry

Nigel Parry

Commercial Director

Nigel has worked in the business of technology and people for the last 30 years.

With a rich understanding of the ability to drive disruption via innovative technology, he has compiled a remarkable track record in shaping businesses into market leaders - and start-ups into established players.

He joined the Moxion board in 2017 as non-Executive Chair and successfully led a major capital raise for the company. He was then enticed to take on the role of Commercial Director in late 2017.

Testimonial - Chris Teague

For dailies I used an iPad with Moxion, which is perhaps the best dailies viewing platform I’ve ever worked with.
I feel like the color is more accurate than other platforms, which is extremely useful for checking out contrast and shadow level. Too many times with dailies you get blacks washed out and highlights blown and you can’t judge anything critical.

Chris Teague - Cinematographer

Glow, Russian Doll, Broad City

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